{"id":2895,"date":"2024-05-15T13:52:01","date_gmt":"2024-05-15T13:52:01","guid":{"rendered":"https:\/\/www.dangers.gallery\/?p=2895"},"modified":"2024-10-04T06:48:40","modified_gmt":"2024-10-04T06:48:40","slug":"masoud-sadedin-solo-exhibition","status":"publish","type":"post","link":"https:\/\/www.dangers.gallery\/?p=2895","title":{"rendered":"Masoud Sadedin Solo Exhibition"},"content":{"rendered":"

[vc_row css=”.vc_custom_1525863756965{margin-top: 100px !important;}”][vc_column width=”2\/12″][\/vc_column][vc_column width=”4\/12″][vc_custom_heading source=”post_title” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” el_class=”page-title”][\/vc_column][vc_column width=”4\/12″][vc_raw_html]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[\/vc_raw_html][\/vc_column][vc_column width=”2\/12″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1526309042069{padding-top: 30px !important;}”][vc_column width=”2\/12″][\/vc_column][vc_column width=”8\/12″][vc_tta_tabs style=”modern” shape=”square” color=”white” spacing=”” gap=”35″ alignment=”right” active_section=”1″ no_fill_content_area=”true” el_class=”exhibitions_tab_view”][vc_tta_section title=”Overview” tab_id=”1528276926726-3cc73aa1-9aac”][vc_row_inner][vc_column_inner width=”1\/2″][vc_gallery type=”nivo” interval=”10″ images=”2896,2897,2898,2899,2900,2901,2902″ img_size=”large” onclick=””][vc_empty_space][vc_column_text el_class=”related-listing”]<\/p>\n

\n
Related Artist:<\/dt>\n
Masoud Sadedin<\/a><\/dd>\n
<\/dt>\n<\/dl>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]May 2024<\/span><\/p>\n

Artists:<\/span> Masoud Sadedin<\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Lines, drawing, archaic, art, fragmentation, aesthetics, expression, form, color, paper,
\nbook, line, surface, idea, thought, feeling, contradictions, play, humor, non-art,
\nzero, not reaching an image, failure, habit of failure, habit of seeing failure as
\npower and motivation, image.
\nAlso, images that take shape spontaneously during work. Internal, personal, and
\nprivate, erratic, without a specific goal or philosophy. An action and reaction based
\non \u201csomething unexpected will happen\u201d that will surprise me, will pull me out of
\ndaily routines, a feeling of searching, of discovering something that gives meaning
\nin vain. Going with the flow of lines, something against instability, following existing
\npatterns or emerging patterns during work, being attentive and vigilant.
\nIn contrast to painting, I can start drawing without planning, even with a mental
\nvoid or devoid of any concept. Painting on canvas requires mapping and planning,
\nwhich takes shape over a long period and within the framework of a specific visual
\nlanguage. In contrast, drawing is peripheral, marginal, something from the fluidity
\nof the mind, from awareness to discovery and insight. Images that abandon themselves
\nwithout reason or purpose.
\nDrawings are fresh and unexpected, often lost in painting. Design sheets that remain
\ncovered in notebooks for years and yet burst with freedom, aimlessness, and
\nuncontrolled things; works that will mostly remain unfinished and open.
\nSometimes I feel like a stranger has guided the drawing notebooks. There is no
\nboundary between conscious and unconscious decisions in drawing. Here, I merge
\nwith whatever passes on the surface of the paper.
\nThe methods of starting a drawing vary. Sometimes a mental image, sometimes
\nbased on a photo or paintings from past eras, or the involuntary movement of the
\npen on the paper, without any preconception. In such cases, I am mindful of where
\nthe lines will lead me and try to remain open to the events on paper. Often, I am
\nsurprised to see that after a short while, the lines come to life, a spirit that is always
\ngreater than me and yet always smaller than me.
\nSometimes I also drawing with a specific plan and subject in mind. For example, I
\nplace a figure from my favorite artists in art history alongside a real figure from
\nour time; an attempt to compress time in form. Ultimately, it doesn\u2019t matter whether
\nI succeed or not, the compression of form based on the intellectual background
\nof these drawings gives them a fresh spirit, a saturated space where souls collide
\nand pass by together. Since my youth, I have had a serious interest in the madness
\nof Hieronymus Bosch\u2019s works, something that still occupies my mind and I pursue
\nit in my paintings, a madness that, although manifested in drawings playfully, I
\nfollow it seriously to grasp the concept of the \u201cconnection between art and life.\u201d
\nOver time, the concept of the word \u201cdrawing\u201d has changed for me, and since I
\nrarely find peace and satisfaction in my work, I cannot adhere to a specific style or
\nmethod. Although I struggle with each subject for a long time and with intensity,
\nwhen the initial motivation and energy fade, I embark on something new. The challenge
\nand courage to change are fundamental. With these, I can experiment with
\nmy limits, abilities, and potential; more to the conceptual meaning than technical
\npossibilities.
\nDrawing has been my constant companion since my student years, and I still get
\nexcited and thrilled by it. Drawing is familiar yet full of ambiguity and strangeness,
\na good excuse for not reaching, motivation for a new adventure.<\/p>\n

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Masoud Sadedin<\/spnan>
\nMay 2024<\/span><\/p>\n","protected":false},"author":1,"featured_media":2900,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[107,109],"class_list":["post-2895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events_past","tag-exh_habibkhani","tag-news_go_rounding_in_colors"],"_links":{"self":[{"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/posts\/2895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2895"}],"version-history":[{"count":3,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/posts\/2895\/revisions"}],"predecessor-version":[{"id":2906,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/posts\/2895\/revisions\/2906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=\/wp\/v2\/media\/2900"}],"wp:attachment":[{"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dangers.gallery\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}